The Project
I started The Transgender Oral History Project as a means to uncover the rich, though often invisible history of transgender political activism. Stories including trans people often become a tiny portion of a subgroup that is largely dominated by normative elements who marginalize them in order to create an image that is more palatable to the mainstream.
The narratives Americans are exposed to are so limiting—they are the stories of an individual who struggles with their own body or else the story of victimization by illogical violence. I want to tell different stories… ones that highlight how trans people have been pushed out of self-proclaimed safe spaces and have been abused by the psychiatric and medical establishments under the guise of treating them. I want to talk about the violence that happens when our entire society operates on logics that systematically force trans people to exist on the margins of society—refused healthcare, left out of government programming, and refused gainful employment. This also is not the complete story.
What is a history of oppression without the correlating history of resistance? I want to tell the stories of riots against police brutality, volunteering services in trans-specific health centers, reclaiming public spaces for people who have nowhere else to go, and civil rights marches for legal protections—a legacy of empowerment through community organizing.
The Exhibit
I would like to create a multimedia historical exhibit that leads the audience in exploring the issues that have fostered the evolution of the trans community over the past fifty years. I hope to engage viewers in the passage of time by creating a spatial representation of a timeline that they move through as they move through space. The timeline will portray the events and conditions trans people were operating within, but also the collective responses that enabled trans people to deal with these circumstances. I hope to make viewer think about how this community necessitated by a hostile environment that is not of its making but more importantly, to see the means by which this community has constituted itself.
I plan to accomplish this through using a combination of text, photography, ephemera, audio, and film. The central three AV elements will be video clips of vignettes from the Transgender Oral History Project situated within the context of the time period as created through the timeline. I am concerned with showing how the historical moment frames what is possible for people’s lives by showcasing stories that exemplify how this intersection is experienced.
